For the next larger object, I think I will be better creating a solution with the dry style wallpaper paste and mixing it completely with water together with the paper and lint in one action. The current method I have been using is to use pre-mixed wallpaper paste and I found that this is perhaps too thick and sticky to mix with the paper on its own.
Conclusions;
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWGe1xobreUcxTdOFf5F9lfj2nYYktdg71nI8vPpVw5RuySC4NkhSXrpqEOxkHkYHPknHJcZLzw1AbTCOix6NSzm5aNoLAPw7hhFZs6BDprz3iJg78Ubm44yw8CZvb7EGq_T0DD7JWU_k/s320/Frag-Gnome.png)
The first coat of papier-mache, needed to cover this initial "skeleton", needs to be applied with quite large pieces or strips of paper, measuring approximately 1" x 6". This creates the initial surface onto which a finer grade of papier-mache (made from shredded confidential waste paper) can then be applied.
I'm happy with the process so far as I think that the method I'm using is quite robust and capable of being adapted to create a much larger work, some three or four times as big as my original maquette I have created here. When making the larger version and using the dried form of wallpaper paste I will ensure that the rear fixings to the sculpture are pre-attached to the wooden frame prior to continuing to fabricate the wire mesh on top.
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