Whilst Bourriaud's book explores the notion that art is no longer revolving around an aesthetic judgement, but has entered a modern political arena, which, like Walter Benjamin famously stated, (back in the 1940s in The Work of Art in the Age of Mechanical Reproduction), suggests that Modern Art (as it was then), was looking to suggest not only politics but further modern rationalism; However, in this new Millenium, it is now exploring, (just as politics still does), new models of social cultural and philosophical paradigms.
There is also the discussion that artworks now perform a function as a social interstice, and what is meant by that is the theory that human interactions, whilst located in our everyday existence and social transactions, instead of the former hypothesis that art provided a semiotic engagement unique with each individual viewer.
Conclusions;
- Relational Aesthetics (the book) needs to be explored and digested in much more detail and I will review Bourriaud's writings critically in plenty of time before my main exhibition.
- I will, therefore, set time aside to study this over the next few weeks.
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